Cathleen Schine's Top Ten List

Reader Bio

Cathleen Schine (born 1953) is an American novelist and book critic whose fiction often uses irony and humor to explore contemporary mores and relationships (one reviewer called her “the Jewish Jane Austen”). Her debut novel, Alice in Bed (1983), told the story of an enchanting college student who mysteriously loses the use of her legs. Her other novels include Rameau’s Niece (1993), which features a brilliant but forgetful author of an unlikely bestseller; The Love Letter (1995), the story of a delightful owner of seaside bookstore who receives an anonymous love note, as well as She is Me (2003), The New Yorkers (2006), The Three Weissmanns of Westport (2010) and Fin & Lady (2013), which tells the story of an orphaned 11-year-old boy who goes to live with his free-spirited older sister in Greenwich Village in 1964. She is a frequent contributor to The New York Times, The New Yorker and The New York Review of Books. To learn more, visit Cathleen’s official website.

1. Emma by Jane Austen (1816). The story of Miss Woodhouse —busybody, know-it-all, and general relationship enthusiast —is a comedy of manners deftly laced with social criticism. The charm largely inheres in Emma’s imperfections: her slightly spoiled maneuverings, her highly fallible matchmaking, her inability to know her own heart. Emma teeters from lovable one moment to tiresome and self-centered the next. In writing her story, Austen found an ideal venue for her note-perfect, never-equaled archness.

2. Leaves of Grass by Walt Whitman (1855–91). Whitman spent half his life writing, revising, and republishing this collection, which is, at heart, a love song to the idea of America. Uneven and exuberant, Whitman acknowledges that “I celebrate myself, and sing myself,” yet he celebrates all of America in his long-lined free verse. Naming himself “one of the roughs,” Whitman places the natural over the artificial, native wisdom over scholarship, and praises the working man and foot soldier as fulsomely as he does President Lincoln.

3. War and Peace by Leo Tolstoy (1869). Mark Twain supposedly said of this masterpiece, “Tolstoy carelessly neglects to include a boat race.” Everything else is included in this epic novel that revolves around Napoleon’s invasion of Russia in 1812. Tolstoy is as adept at drawing panoramic battle scenes as he is at describing individual feeling in hundreds of characters from all strata of society, but it is his depiction of Prince Andrey, Natasha, and Pierre —who struggle with love and with finding the right way to live —that makes this book beloved.

4. Phineas Finn: The Irish Member by Anthony Trollope (1869). A handsome, romantically profligate young Irishman, Phineas Finn leaves his sleepy home and secret fiancée for the political world of London. As he charts the rise and fall of his calculating yet endearing hero, Trollope plunges us into the machinations of the day (especially “the Irish question”) and, for good measure, introduces not one, not two, but four fascinating love interests. The novel —the second in the Palliser series —is long. But Trollope reminds us that sometimes more is more.

5. Our Mutual Friend by Charles Dickens (1864–65). A miserly father dies and leaves his fortune to his estranged son —so long as he marries a woman he’s never met. While returning home, John Harmon appears to be murdered. He survives and goes undercover. As John Rokesmith, he becomes secretary to the man next in line for his father’s estate, Mr. Boffin. Clever coincidences and revelations follow in this novel notable for its wickedly funny treatment of middle-class society.

6. Quartet in Autumn by Barbara Pym (1977). Barbara Pym’s characters live in the margins of mid-twentieth-century English life, squirreled away in rooming houses, dead-end office jobs, and ever-shrinking church congregations. Her peculiar genius is to make these unpromising creatures the centerpieces of her work. With the acute, unflinching eye and dry sense of humor that invite comparison to Jane Austen, “Quartet in Autumn” follows four aging office workers in their dance with retirement, a changing society, and ultimate mortality.

7. Adventures of Huckleberry Finn by Mark Twain (1884). Hemingway proclaimed, “All modern American literature comes from . . . ‘Huckleberry Finn.’ ” But one can read it simply as a straightforward adventure story in which two comrades of conve­ nience, the parentally abused rascal Huck and fugitive slave Jim, escape the laws and conventions of society on a raft trip down the Mississippi. Alternatively, it’s a subversive satire in which Twain uses the only superficially naïve Huck to comment bitingly on the evils of racial bigotry, religious hypocrisy, and capitalist greed he observes in a host of other largely unsympathetic characters. Huck’s climactic decision to “light out for the Territory ahead of the rest” rather than submit to the starched standards of “civilization” reflects a uniquely American strain of individualism and nonconformity stretching from Daniel Boone to Easy Rider.

8. Stories of  Alice Munro (1931– ). A master of the small epiphany, the moment of clarity, Alice Munro writes of men and women who struggle to reconcile the lives they have made with their sometimes confused longings. Largely set in urban and rural Canada, Munro’s stories feature characters whose inner lives gradually peel away to reveal themselves in all their richness and complexity. Munro’s plots do not forge ahead in a linear fashion, but loop and meander and take their time getting where they need to go, slowly revealing their characters and revealing what lies behind the choices they have made.

9. The Makioka Sisters by Junichiro Tanizaki (1943–48). Serialized during wartime, this epic novel chronicles the decline of the Osaka family and the transformation of traditional Japanese society. As their fortunes wither, elder sisters Tsuruko and Sachiko try to preserve the family name and marry off the talented, sensitive Yukiko. All the while the youngest sister, Taeko, aches for freedom from her sisters’ conservatism. Tanizaki uses detailed descriptions of Japanese traditions, such as the tea ceremony, to underscore their fleetingness in an era of rapid modernization.

10. Pictures from an Institution by Randall Jarrell (1954). What happens when a brilliant poet writes a campus comedy? You get this lacerating look at academic pretensions and jealousies. Set in a women’s liberal arts college, the tale centers on Gertrude Johnson, a professor writing a novel about the “little people,” who has no clue about “what it was like to be a human being.” This somewhat plotless novel proves the perfect vehicle for Jarrell’s acid wit; every page boasts some beautifully put put-down, as here: “People did not like Mrs. Robbins, Mrs. Robbins did not like people; and neither was sorry.”

New List

Joyce Carol Oates

1. The Possessed by Fyodor Dostoevsky (1872).
2. In Search of Lost Time by Marcel Proust (1913–27).
3. Wuthering Heights by Emily Brontë (1847).
4. Moby-Dick by Herman Melville (1851).
5. Ulysses by James Joyce (1922).
6. Independent People by Halldór Laxness (1934).
7. Absalom, Absalom! by William Faulkner (1936).
8. One Hundred Years of Solitude by Gabriel García Márquez (1967).
9. Tropic of Cancer by Henry Miller (1934).
10. The Stranger by Albert Camus (1942).

 

Classic List

Charles Palliser

 

1. Adolphe by Benjamin Constant (1816).
2. At Swim-Two-Birds by Flann O'Brien (1939).
3. The Private Memoirs and Confessions of a Justified Sinner by James Hogg (1824).
4. Anton Reiser by Karl Philipp Moritz (1785-90).
5. The Golovlyev Family by Mikhail Saltykov-Shchedrin (1876).
6. The Slaves of Solitude by Patrick Hamilton (1947).
7. The Tale of Genji by Shikibu Murasaki (c. 1001–1010 c.e.).
8. The Dukays by Lajos Zilahy. (1949)
9. Effi Briest by Theodor Fontane (1896).
10. The Maias by Eca de Queiroz (1888).

 

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