What is a classic book?
By J. Peder Zane
Italo Calvino defined it is as a work that “has never finished saying what it has to say.” Ezra Pound said it possesses “a certain eternal and irrepressible freshness." And the 19th century French literary critic Charles Augustin Sainte-Beuve declared that “[it] has discovered some moral and not equivocal truth, or revealed some eternal passion in that heart where all seemed known and discovered.”
At first glance, these definitions of classic/great books seem on the mark. Under their umbrella of excellence we can fit undisputed works of genius from “The Iliad” and “The Divine Comedy” to “Pride & Prejudice,” “Anna Karenina” and “Invisible Man.”
Unfortunately, they rest on a fallacy – that any and every book that exhibits these qualities will be considered a classic. Read more ...
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Future Classics, 2010-19
Our critics claim we live in the past. But besides the bedrock belief that life is too short to read anything but the best, the staff at Top Ten Books knows that the timeless literature has much to say about own life and times. Still, the classics have to start somewhere and with that spirit in mind we are happy to share a list from our friends at the Literary Hub of the best books of the last decade 2010-19.
Tom Wolfe, RIP
We have lost a giant – one of the very best reporters and writers in American history.
The Wall Street Journal reports that Tom Wolfe, the best-selling alchemist of fiction and nonfiction who wrote “The Bonfire of the Vanities,” “The Right Stuff” and countless other novels and works of journalism, died of pneumonia in a New York hospital yesterday. He was 88 years old.
Tom Perrotta
“Disappointment plagues the characters in [Tom] Perrotta’s novels,” writes Laura Miller in the New Yorker, “from the disaffected parents in Little Children to the divorced sex-education instructor in The Abstinence Teacher. Their marriages lack passion, their spouses cheat, their kids demand too much from them.
Susan Vreeland
Susan Vreeland, a master of turning fine art into literature, has died at age 71, following complications from heart surgery.
Her second novel, and breakthough work, Girl in Hyacinth Blue (1999), traces the ownership of a purported Vermeer painting back to World War II and Amsterdam, and still further back to the moment of the work's inspiration.
Alexander McCall Smith
You tell your publisher you have surefire hit – the story of a writer whose rental car complications force him to drive a bulldozer around Tuscany.
You tell her it’s not a farce, but rather poignant.
She tells you to find another agent.
Unless, of course, your name is Alexander McCall Smith and you have already enjoyed so much success that she exclaims, “Brilliant!,” and you have enough imagination and wit to pull it off.






